Here’s a collage that I am working on at the moment. Underneath there is a collage from last year that I wasn’t too happy with. You can see the layers of tissue, newspaper, paint, packaging and print. The placing, moving and replacing stages can take minutes…or days!
I am really loving sketching on the move, alas I am often the driver (not the train!) This way of drawing forces me to capture the details in seconds and, of course, each image is made up of many views.
I am running a ‘Sketchbook inspiration’ workshop at the White House Arts www.whitehousearts.co.uk in Cambridge email info@whitehousearts.co.uk or call 01223 420018
17th and 18th May 10.00am-4.00pm £100 inc. materials, except sketch books
Sketchbooks are delightful, personal accounts of daily experiences, observations and daydreams. We take time to draw what is seen, imagined, remembered and felt. They help us to rediscover and engage in the joy that comes from drawing and sketching natural and manmade environments that surround us.
This course is suitable for those who love ‘sketch booking’, but need some fresh ideas or motivation. Also for those who love the idea, have bought the book, but it is still sitting on the shelf!
Observing our environment and everyday objects, also using text and found images, you will have the opportunity to experiment with a variety of techniques in order to develop your sketchbook pages. We will identify what inspires you, the best way to record it and how to respond creatively on your page. We will use a range of materials including pens, paints, collage, Please bring with you your sketchbooks full, half full and ready to go!
Back to my roots, sketching at Paull on the river Humber, last week in glorious Spring sunshine
Old town, Hull. Rediscovering why I love the childhood sights and smells of timber, diesel, seaweed. sun baked rusty metal.. 
The Friday night private view of the Drawing Society spring show is always a crowded buzzing event. For me, it marks the start of the warm weather and sunny cycling days, no gloves or hats! When I returned to the UK and moved to Cambridge, the society was the first place where I sold my work, so I always exhibit with them each Spring and Autumn.The standard of artwork has got better and better, it is great place to buy original work at a fair price.
Last night was no dissapointment, lots of new faces, sales and some really positive comments. I met two lovely ladies from Germany, a gallery owner from Devon and sold ‘Railings’ to a local lady – who is a collage fan and already owns a John Tordoff piece. If you are in Cambridge please do visit, the show is on all week at the Guildhall, Cambridge.
Railings and rooftops Marrakech
Here is my leporello sketchbook a week later. I spent my days walking and sketching, often at the same time. This forces me to capture the shapes and details spontaneously. Touches and dabs of watercolour add to the atmosphere.
I love the buzz of the harbour in Essaouira, there are always fishing boats being made, repaired, cleaned, coming and going with the night’s catch. All the boats are painted blue, the seagulls are huge, pristine white and full of fish entrails!
Sketchbook pages prepared ready for working on ‘au plein air’ in the the crumbling streets of Essaouira in Morocco. I have layered photgraphs, tissue, newspapers,magazine pages, old letters and acrylic. All stuck with pva.
Here you can see modeling paste to give texture and section of my own photos. I am trying to limit myself to a few pages and one sketchbook but I do love the concertina book – called leporello, I discovered this week. Great word. So two sketchbooks, and my old passport (now another sketchbook!)..that’s three then.
The beautiful streets of Nice
Back streets, Porto Portugal
Here are two collages that are purely pieces of paper – cut, ripped, and stuck. Amusantes Vanille is based in the south of France and Rua de Sao Joao is from a trip to Lisbon.
I am always on the look out for ‘bits of paper’ but with the introduction of more and more plastic packaging, paper is becoming harder to find.
One of my first collages of Paris started around the lovely, turquoise metro tickets (small, rectangular and made from cardboard) This collage was used for a full page feature in Time Out magazine.
I start scanning in the airport, tickets, labels, strong graphics – alas it is all a bit slick in the UK. Within one hour of landing in my destination city of Seville, Marakech, Havana I have usually collected a few unloved tatty tickets. Bill boards, especially ones with layers of posters, dusty curling and peeling are my next stop. These have the added excitement of finding hidden colours and graphics between the layers. For stamps, envelopes, hand written letters I usually search the flea markets and antique shops. The photographs I take whilst wandering and sketching.
Back in my studio I start my compositions with the slice of sky betweeen the buildings, then it is compose, recompose, balance, stick, peel, stick until a sense of unity is achieved.
Both collages available as giclee prints. They are of a very high quality, every detail, crease, edge and shadow can be seen. http://karenstamper.com/?cat=10
