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Free up your sketchbook and grow

Jun 22, 2020

This is my six week course that runs twice a year. If you are looking for a way to push your work forwards and find your own style, in a non-rigid way, with room to be independent and do your own thing, then this is the course for you.

There are six weeks of lessons, artists reference, and two zoom calls (£290). The next course will open for enrolment again in 2025.

Take me to the information page for Free Up Your Sketchbook and Grow

Course opens again in February 2025

Join waitlist here

If you have already signed up to one of my courses on Kajabi you can login here   Members login.  Please use the email that you originally signed up with. You can also ask for a password reset

 

Below you can also see/download the materials list

Free Up materials list PDF

 

 

 

All about my Online Sketchbook Courses

May 19, 2020

I have 11 exciting and creative online courses. They are on the Kajabi platform. It is easy to sign up with your email and a password, and that is all that you need to access the course.  In most of courses, once you’ve enrolled and paid, you have access to the course material forever! You can devour it all in one weekend or take things slow. It’s your choice! It is not a class that you join with the tutor each week, on my courses you watch the short videos, then have a go.

My courses are self paced; you can complete them in your own time. It may be a binge for a day, or spread over weeks. You log on and off when you want to. There is no weekly timetable.

Medium and Small Courses

Creative Concertina Sketchbooks 1 – Buildings 

Creative Concertina Sketchbooks 2 – Allotments/Gardens

Creative Concertina Sketchbooks 3 – Abstracts

Creative Concertina 4 – Figure/People

Creative Concertina 5 – Your Travel Journal

How wild is your garden? – A mini 25 minute lesson 

Collage The Street A mini 25 minute lesson 

A Simple Concertina Book A mini 25 minute lesson 

Larger Courses

Free Up Your Sketchbook and Grow 1Six week course to free up and develop a personal response

Free Up 2 – More Fun in Your Sketchbook

Free Up 3- Moving Out of Your Sketchbook

 

They are suitable for new artists and those more experienced artists who want to learn new techniques. I first started making them after touring the world ? (Sydney, Barcelona, Carcassonne, Whitstable, York, Cambridge 🙂) with a one/two day workshop using concertina sketchbooks in a fun, freeing way.

I like to share my techniques learnt over the years, I want to give you the tools and confidence to develop your books in a loose, creative, and often collage way. If you have a lovely new sketchbook and don’t know where to start on those pristine white pages then this is the course for you. You will learn how to use mixed media in your sketchbook, using many creative techniques and exciting mark making ideas. I want to help you free up and respond to the world around you.

My online courses are perfect if you find yourself too busy to attend classes and cannot find a suitable sketchbook class and you are happy to work around your own commitments

I divide courses  six/eight lessons with many 5-10 mini video lessons. In each short video I introduce new materials and techniques and as you go along you will build on the techniques learnt in the previous lesson.

Do I need to be able to draw?

My sketchbooks are much more about mark making and exciting surfaces, with as little or as much drawing as you like. Some participants draw lots, some collage lots. I do provide some pdf photographs for you to work from for inspiration, if you need them. I have included a lot more drawing in Creative Concertina 5- Your Travel Journal

What materials will I need?

You will use quite simple materials such as ink, collage papers, pva glue. I do not like to use a lot of fancy materials, that are difficult to source. The materials lists are based on my demonstrations and what I use, but of course you can develop these ideas with other materials. Links to suppliers are given on the course. The basics are: a concertina sketchbook (or you can make your own) posca pens, ink, gesso, spray bottle, pva glue, drawing pens, masking tape, collage papers, scissors, brushes, kitchen roll, sandpaper, pencils, magazines, glue, water soluble felt tip, sticky labels.

Which one should I do first?

I recommend that you start with Buildings or How Wild is my Garden so you can see the way I work, but you could jump in anywhere.

If you are ready to fall in love with concertina sketchbooks that enables continuous ‘drawing’ – page after page of changing scenes this may be just what you need.

You can see two small lesson sections  here

https://youtu.be/cKrOynaR50g

https://youtu.be/J1GQGrYcIx8

What others are saying

I am so glad I signed up for this. I have watched all the videos too and I think the course looks absolutely amazing. I need to purchase some bits and bobs and then I will be ready to go. I often include textiles in my work and I can see that there will be an opportunity to do this. Can’t wait to start.  Carol

Thank you! I have finally had a moment to go through the course. I teach sketching as well and LOVE your approach. I have told all my students about your work and could see having you come to Texas to teach at some point 🙂 Meanwhile, I am going to play with all the techniques that you showed us in this marvelous, user-friendly course. Can’t wait to sketch with you sometime–in the UK or here in the USA. Thanks again, 
Sharon

Now I’ve watched once and taken notes and am so excited to begin! Will share in the facebook group as I go. Thank you, Karen, for this inspiring workshop! So glad I signed up for it. Jackie

Got so excited, couldn’t stop watching. Karen thank you for an inspirational workshop, time now to collect my ” toys” and supplies – and start exploring. Am a fairly experienced painter – but you have ignited my creativity to sketch and begin to explore my new home county of Rutland. A big thank you. Maggy

‘So pleased this online workshop has taken off. It’s really transformed my mindset to sketching’ Gillian

I’ve been looking at Karen’s work for quite a while and wondering how she achieved the effects in her concertina sketchbooks, so when the opportunity to find out came up, I jumped at the chance.

“And it was well worth the effort! I won’t give away Karen’s secrets – but I will say that she starts slowly to get us over the natural trepidation most of us feel. Dribbling ink and squirting it with water while it runs down five or six pages of the concertina must be a proven ice-breaker. After that it was just one bit of fun after another, involving PVA, gesso, frottage, markers, collage and some hard thinking.

I ended up with six pages of an abstracted townscape full of references to Crete. One of the fascinations of the concertina sketchbook is that as it’s folded, new compositions come into view.” Harry Bell

Loved every moment. Karen is such a generous tutor – so informative and helpful. One very happy student – thank you. xx ” Jude B

I was eagerly trying to soak up all the great techniques and info that you are willing to share with us.” Bernadette

“Thank you for very stimulating lessons. It Is very interesting how everyone interprets your instructions differently. I was somewhat out of my comfort zone as I normally like everything very ordered but there was a fantastic freedom doing the collage and I will definitely develop it further. Thank you for your time and enthusiasm.” Jane B

Allotments – Locked out

Apr 25, 2020

Over a month has passed since my last Allotments post, and the world has changed so much. I was so looking forward to drawing in the allotments, every month, throughout the year. There is a padlock and a social distancing notice on the gate now…

In the first couple of weeks of lockdown I tried to continue with work on progress, and of course it wasn’t really happening, but I made myself work big, and quick in acrylic. You can see in the first three photographs here. I worked from my Emily Ball studies, trying to recreate the energy and joy of mark making in paint.

I then started to recompose, cutting and tearing images, re-sticking to paper and wooden panels. And then I stopped.

Like many of you, I am sure, I flit between different projects. I began working on the small panels on the wall behind. They seemed to be just the right size, and with abstract compositions I began to get my mojo back. ?

Art Juice Podcast

Mar 24, 2020

 

Art Juice Podcast with Alice Sheridan and Louise Fletcher

This week, we are joined by special guest Karen Stamper. Karen is an accomplished painter and collage artist with a special passion for sketchbooks. She teaches workshops in person and online and in this episode, we pick her brains about helping adults loosen up, have fun and learn. As a former art teacher in high schools, Karen has an interesting perspective on the difference between adult learners and children.

We also discuss the importance of being generous with your knowledge and have an extensive conversation about how artists can take their teaching online, an important topic in this time in which workshops are being cancelled around the world.  Our discussion includes how to know if you will enjoy teaching, how to get over fear of the camera, which platforms work best. how to build an audience for your online course, and the importance of encouraging and supporting students through the challenges of learning new things.

If you would like to make a course with Courscraft I have a referral link  https://coursecraft.net/ref/rkwf9K

 

 

Escape to Zanzibar

Mar 9, 2020

There was always a plan, to escape the allotments in the short dark days of February.

Zanzibar has always been a magical word, I just love saying it, so we went, in the hottest month! In between lolling around listlessly and eating the best seafood, I managed to fill my sketchbook – I didn’t read the five books that I packed, just too much effort!

Stonetown is a bit like Havana and Essaouira, crumbling walls, small shady streets, wonderful doors, scaffolding made from sticks, and with the smiliest people who just want to pass the day having ‘social conversation’ with you. I didn’t sketch the first few days, it always takes time to acclimatise and get one’s bearings, and Stonetown has a maze of streets to get lost in.

I began to find my feet more in the south of the island. The local fishermen and boys, showed me their catch, and inspected my sketchbook and asked Man United?? Early morning was the coolest part of the day, but nothing helped my watercolours that had turned into sticky blobs and my posca pens that overflowed with the slightest touch – and they both took a long time to dry, but I quite liked the new marks.

I hope that you enjoy the photos, and that they give you an insight into the beautiful island of Zzzzzanzzzziiibar! ?

 

Allotments development with Emily Ball

Feb 18, 2020

This week I spent three days working with Emily Ball. https://www.emilyballatseawhite.co.uk/

It is a full on painting workshop for twelve artists that I organise every year, in February. Where else would you rather be on a grey weekend??

We were set homework –  a lot of drawing, which I had incorporated into my allotment studies.  We were encouraged to use these drawings to find our subject, not to copy them. I am happy and confident when making marks with the delights of charcoal, posca pens, inks and artgraf but slippery paint is a different beast and it takes time to learn it’s language. A lifetime!

Our job was to animate. I wanted to intensify the detritus of the allotment and tried to get the paint to give this back to me in a relevant language that is exciting and painterly. I am on the journey, but still lots to do!

Allotments – rip it up!

Feb 11, 2020

This week it has been finger numbing cold and now we are on the end of Storm Ciara, so I have focused on drawing from drawings, in my studio. Top right is upside down, but I quite like it this way.

All the images have another drawing ripped and collaged on top. I love the freshness that this brings, especially if the drawing is fine – but not exciting yet. It also opens up white space.

At the end of the week I remembered my Greek sticks! These can be found in abundance on a beach in Crete, they are mainly bamboo, I think. This little stubby root fits so snuggly in the palm of my hand. You can see little clips of these in action on my instagram @Karen_Stamper_Collage where I have been asked ‘Is that a chicken’s leg? A kangaroo arm??”?

Allotments 3 – colour mixing

Feb 4, 2020

The truth – I headed to the allotments at the beginning of the week, but boy was it cold! My fingers were numb before I got there and the plan was to colour match, in acrylic, on location. So I wimped out, collected a bag of leaves and branches and headed back to my studio.

A cup of tea, heater on, quick photographs taken I then set to trying to match the colours of my collection. What fun, just making marks and letting colours and shapes overlap, sit together and jump out from each other. This is just round one, there is a lot of matching to do yet!

Allotments 2 – juicy oil bars

Jan 28, 2020

January in Cambridge has been gorgeous, with big beautiful blue skies, little wind and low sunshine. Perfect for drawing outside, and I have rediscovered how much I love being outside, and in January of all months!

As well as mixing and matching colours on location I also collected a few plants and brought them back to the studio (do you remember the nature table at primary school?) What really suprises me is all the beautiful purples! Decadent damson, Melazane, Deepest plum, Pelt are some of the names from my paint sample cards.

On location I just took about 20 oilbars, big bold Sennelier bars (a gift from @Nicholaswilton and his @art2life programme – thank you!) They are soft and juicy, easy to work with when squatting in the allotments.

Again, I was totally absorbed, just me and the birds. Happy days!

New Year – New Project – Allotments 1

Jan 14, 2020

Do you live near some allotments?

I would really recommend that you take a little time for a walk through them – even in January! Even if you are not an artist the calm and quiet is wonderful food for the soul.

I am spending as much time as I can this month drawing in my local allotment. It is only five minutes away, I load up my bike with a box of drawing materials, pull on many layers of clothing (including a hat and fingerless gloves) and pedal off looking like an eccentric Cambridge artist!

Each February I spend three days working with Emily Ball, this year I am preparing for her workshop with these studies. All I am doing is getting to know my subject by repeatedly drawing, responding to the sights, smells and sounds around me. I don’t want to make nice drawings, I want to explore the scratchy bushes and alien like sprouts; the shy brides hiding under their veils, the balloon like bottles, the arching frames.

Every day I see more and more exciting shapes and lines, I am never disappointed. I urge you, go and have a look!

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